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COMPETITION SHORT FILMS
 

Campo de víboras
Champ de vipères
Cristèle Alves Meira

 
 
  • FILM
  • DIRECTOR
  • CONTACT
  • PORTRAIT

Portugal/France
2016 – 20’ – IN PORTUGUESE
INTERNATIONAL PREMIERE

Synopsis
In a small Portuguese village, a tragedy occurred. An old lady is found dead in her garden, surrounded by snakes, while her 40 year-old daughter, Lurdes, fled without telling anyone. The gossips in town about the mysterious destiny of this house are spreading fast...

Extract

DIRECTOR: Cristèle Alves Meira
PRODUCTION:
Gaëlle Mareschi
SCENARIO: Cristèle Alves Meira
CINEMATOGRAPHY: Rui Poças
EDITING: Raphaël Lefèvre
SOUND: Amaury Arboun - Vincent Pateau - Cédric Lionnet
PRODUCTION DESIGN: Julien Michel

CAST:
Ana Padrão
Sónia Martins
Simão Cayatte
Ludovic Berthillot
Jacqueline Corado

Réalisation
Biography
Cristèle Alves Meira

Portuguese and French nationality
Born on February 18th, 1983 in Montreuil (France)

Filmography
2016 CAMPO DE VíBORAS S

2016 ALMA VIVA S
2014 SOL BRANCO S
2013 BORN IN LUANDA DOC S
2010 SOM & MORABEZA DOC S

PRODUCTION
FLUXUS FILMS
Gaëlle Mareschi
Tel. +33 (0)6 63 03 28 97
gmareschi@kinology.eu

CO-PRODUCTION
UKBAR FILMES
Pablo Iraola - Pandora Da Cunha Telles
Tel. +351 934 298 194
pablo@ukbarfilmes.com

DISTRIBUTION
SALES
PRESS
FLUXUS FILMS
Gaëlle Mareschi
Tel. +33 (0)6 63 03 28 97
gmareschi@kinology.eu

CONTACT CANNES
FLUXUS FILMS
Gaëlle Mareschi
Tel. +33 (0)6 63 03 28 97
gmareschi@kinology.eu
Cristèle Alves Meira
Tel. +33 (0)6 46 88 06 13

In a Portuguese mountain village genuinely called the Vipers Field, Lurdes, a 40-year-old woman, is torn between her desire of freedom and her duty to look after her mother. The bodies of villagers meander like those of snakes during the New Year’s Eve, before they realise a drama took place. Like Cassavetes, whose camera closely follows Mabel in A Woman Under the Influence, Cristèle Alves Meira captures Lurdes’ movements and inner struggles in a faltering realistic and dreamlike atmosphere.

By Iris Brey

Semaine de la Critique - Syndicat Français de la Critique © 2017
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